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    You are at:Home»Baseball»The SLAM Archives: SLAM 205 Featuring Damian Lillard
    Baseball

    The SLAM Archives: SLAM 205 Featuring Damian Lillard

    Ironside Sports MediaBy Ironside Sports MediaJanuary 20, 2025No Comments3 Mins Read
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    This story first appeared in SLAM 252.

    There was a time when each hooper needed to rap, and each rapper needed to hoop.

    Hip-hop and hoops is a wedding that may’t be divorced. In its truest essence, they’ve been companions for the reason that musical style was first created within the early Nineteen Seventies. Hip-hop’s rhythm resonated from the Bronx and cascaded over hardwood surfaces and blacktops throughout the globe. It’s a dance that strikes by means of crowds and invitations members to sing alongside to the melody of its hook.

    This inseparable union is why Shaq featured Biggie, why AI sparked a costume code, why Kobe took Brandy to the promenade. It’s Funk Flex DJing the Dunk Contest. It’s Drake’s dedication to the Raptors video games. It’s LeBron throwing up the Roc. It’s The Knuckleheads. It’s Stephon Marbury. It’s Jigga bringing the Nets to Brooklyn. It’s an AND1 Mixtape. It’s the Knickstape. It’s why SLAM exists.

    It’s why a younger rapper named Dame D.O.L.L.A. would increase the bar by rocking a throwback Invoice Walton Blazers jersey and a mic round his neck for SLAM 205. It was 2017, and at only one album deep (one other would drop later that yr), he had confirmed that music was greater than a mere passion. It had began from childhood when his cousin drove from New York to Dame’s boyhood dwelling in Oakland within the early ’90s, bringing hip-hop with him. Dame simply needed to be within the automotive. One other member of the family and gifted MC, Brookfield Duece, would reveal that music was in his blood. It could by no means depart.

    Though Drake had damaged new floor by becoming a member of Kyle Lowry and DeMar DeRozan on a SLAM cowl the yr earlier than, SLAM 205 was the primary time that we’d ever had a solo cowl with a rapper entrance and middle. It was “The Music Subject,” a momentous celebration of the basketball/music crossover that was executed with an intentionality that had solely been alluded to beforehand.

    Following this introduction to the basketball universe, Dame D.O.L.L.A. would go on to launch 4 extra albums and achieve ongoing respect in his area. He would work with the likes of Jadakiss, 2 Chainz and Lil Wayne. He would contribute to the soundtrack of NBA 2K and revel in recognition on the indie album charts. And he reveals no indicators of placing the mic down.

    There was a time when each hooper needed to rap, and each rapper needed to hoop. Dame is fairly good at each.






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